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Januari 12, 2012
Desember 27, 2011
Matthew Archambault - Drawing Tutorials Online Composition
Matthew Archambault - Drawing Tutorials Online Composition
English | FLV | VP6F 536 kbps 30 fps | 640x480 | MP3 48 kbps 22 KHz | 1.83 GB
Genre: elearning
In this Drawing Tip of the Week Matt will show you how he layers objects in a landscape drawing. He also gets into how and why he blocks in tone before he renders out detail. Matt is currently in the midst of completing his Composition Through Landscape Tutorials which will will be put onto DVD.
Download From Filesonic
http://www.filesonic.com/file/2830899395/MatthewArchambault_DrawingTutorialsOnlineComposition.part1.rar
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201 Video Tips, Tricks & Techniques for Product Developers with Bill Myers English
201 Video Tips, Tricks & Techniques for Product Developers with Bill Myers
English | ISO | 2.9GB
Genre: eLearning
A complete library of short tips and tricks for product developers and web marketers, giving you instant solutions to the kinds of challenges youll likely face in your web business.
With 201 Video Tips for Product Developers, you have at your fingertips more than 200 short videos covering:
income generation
web business building
project ideas
niche market research
free resources for project and web development
video creation and editing
using YouTube and Google
and many more
. . . all designed to help grow your web businesses.
201 Video Tips for Product Developers includes more than 10 hours of short, to-the-point videos by Bill Myers - its like getting a library of 10 DVDs on a single disk!
To make this large video library easy to use, all the videos are on a single DVD with an easy-to-navigate menu. Just one click on the video selection menu, and the video you want begins playing almost instantly.
All the videos on this disk are super high resolution computer screen movies, far superior than youd get on a normal DVD. For that reason, this disc can be viewed on any computer DVD drive, but not on DVD drives attached to TV sets.
Now, back to the DVD contents . . .
201 Video Tips, Tricks & Techniques for Product Developers includes videos about:
Tips for building profitable internet businesses
Finding and registering trademarks
Finding and registering great domain Names
Finding niche markets using free tools
Choosing profitable topics for how-to DVDs
Finding free photos, free clip art, free royalty free music
Creating PDF documents from any source, including web pages
Converting photos to drawings or works of art
Creating your own royalty free music
Creating effective web page ads
Creating 3D product box shots for sales pages
Generating income from unused domain names
Creating profitable businesses in 30 minutes or less
Creating TV commercial titles and graphics
YouTube search engine optimization secrets
Adding links to YouTube videos
Creating quick product demo videos
Converting videos to flash format
Using Camtasia to create profitable products
Plus 50 tips & techniques for using Sony Vegas Movie Studio
And much much more . . . more than 200 video tutorials in all!
Youll learn secrets that can save you hours of research, tons of money, and open doors to new product and project ideas and income generation tools.
More info:
income generation
web business building
project ideas
niche market research
free resources for project and web development
video creation and editing
using YouTube and Google
and many more
. . . all designed to help grow your web businesses.
201 Video Tips for Product Developers includes more than 10 hours of short, to-the-point videos by Bill Myers - its like getting a library of 10 DVDs on a single disk!
To make this large video library easy to use, all the videos are on a single DVD with an easy-to-navigate menu. Just one click on the video selection menu, and the video you want begins playing almost instantly.
All the videos on this disk are super high resolution computer screen movies, far superior than youd get on a normal DVD. For that reason, this disc can be viewed on any computer DVD drive, but not on DVD drives attached to TV sets.
Now, back to the DVD contents . . .
201 Video Tips, Tricks & Techniques for Product Developers includes videos about:
Tips for building profitable internet businesses
Finding and registering trademarks
Finding and registering great domain Names
Finding niche markets using free tools
Choosing profitable topics for how-to DVDs
Finding free photos, free clip art, free royalty free music
Creating PDF documents from any source, including web pages
Converting photos to drawings or works of art
Creating your own royalty free music
Creating effective web page ads
Creating 3D product box shots for sales pages
Generating income from unused domain names
Creating profitable businesses in 30 minutes or less
Creating TV commercial titles and graphics
YouTube search engine optimization secrets
Adding links to YouTube videos
Creating quick product demo videos
Converting videos to flash format
Using Camtasia to create profitable products
Plus 50 tips & techniques for using Sony Vegas Movie Studio
And much much more . . . more than 200 video tutorials in all!
Youll learn secrets that can save you hours of research, tons of money, and open doors to new product and project ideas and income generation tools.
More info:
_http://www.bmyers.com/products/item37.cfm
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BBC Art – The Secret of Drawing
BBC Art – The Secret of Drawing
Language: English | 4h59min | 720?404 | AVI | Mp3 – 160Kbps | 1.92 GB
Genre: eLearning
The Secret of Drawing – another masterpiece from the category of “unknown BBC and Co”. Movies like How Music Works and BBC Design Rules. The film is not about how to learn to paint. It about the phenomenon of drawing. About its role in culture, in individual lives and in society.
Continuing the idea of ??Betty Edwards, the authors show that the painting – it’s a skill, like reading and writing. And that in many situations it may play an equally important role in human life and in culture.
The film consists of 4 episodes:
Episode 1: The Line of Enquiry (Drawing in knowledge)
The first episode shows the role played by drawing in the field of science and research. It starts with an example which illustrates the role of drawing in the work of the surgeon. In fact – a few lines on paper allows a group of surgeons is much faster and more accurate exchange of information than words. Then, in an episode showing the anatomical drawings of Leonardo Da Vinci, who played in the development of anatomy is not less important than any book on medicine. Then, pictures of horses that have been made so carefully that a few centuries before Darwin was led to the idea of ??evolutionary development. Etc.
Andrew looks at artists who have chosen the natural world as their subject matter and explores how drawing has helped man to understand his place in the universe. The programme covers the Rennaissance, the Eastern way, Turner, Constable and contemporary artists Anthony Gormley and Richard Long.
Episode 2: Storylines (Drawing in the stories)
The episode involves a drawing function as the transfer of the plot. Starting with paintings by artists that are represented more than one subject and not even one time, but the whole story, and ending with comic books and storyboards in a Hollywood production. One of those – a unique opportunity to transfer the content of the picture. As an example – a comic about the Holocaust. At first glance – this topic is impossible to imagine in this genre. But the author replaces figures Nazis cats, and the figures of prisoners – mice. The content finds a new, unusual shape, keeping the drama “Schindler’s List” and komiksovoy style “Tom and Jerry.”
Drawing has always been an essential tool for the telling of stories. Andrew looks at the satire of Gillray, Goya and Hogarth and its influence on photojournalism, American comics, Japanese Manga and Hollywood storyboards today.
Episode 3: All in the Mind (Drawing in our minds)
The episode is devoted to the question: “Why do we draw in this way (as we draw)?”. The opinion of teachers of drawing, the opinion of scientists, physiologists, that scan mogz and eye movement during drawing. It was long thought that the history of all civilization is not more than six thousand years (from written sources). Ancient as hunters – were primitive creatures, led by instinct. But the vaults of the cave of Altamira paintings were found, which are more than 15 thousand years with excellent quality. Then shown pictures of 5-year-old girl, which is also seen a similar style paintings of animals. Children’s drawings from the episode goes to the drawings by Picasso. And in those and other shows have much in common. In the words of Picasso – when he was 5 years old, he wanted to learn to draw like Raphael. But then he had spent his entire life to learn to paint again, as it turned out to 5 years.
Andrew investigates drawing as a primal human instinct and a learned discipline, looking at the earliest cave drawings and the work of David Hockney and Picasso. The programme uses the latest developments in cognitive science to examine why we draw the way we do.
Episode 4: Drawing by Design (Drawing in Design)
The final episode – to draw in design – when the drawing is transformed into things. It starts with a story about a man who created a design show Sirque du Soleil – “Ka”. He created the stage for the Stones, The Wall for kicks, and many other top rock bands. Then comes the story of the painting in the history of architecture and in the end – 3D and fashion.
Andrew explores the role drawing has played in technical design and architecture, studying complex structures such as the Guggenheim and Boeing 777. From Leonardo to Libeskind, he shows how drawing has been a crucial tool in the history of scientific and technological discovery.
Continuing the idea of ??Betty Edwards, the authors show that the painting – it’s a skill, like reading and writing. And that in many situations it may play an equally important role in human life and in culture.
The film consists of 4 episodes:
Episode 1: The Line of Enquiry (Drawing in knowledge)
The first episode shows the role played by drawing in the field of science and research. It starts with an example which illustrates the role of drawing in the work of the surgeon. In fact – a few lines on paper allows a group of surgeons is much faster and more accurate exchange of information than words. Then, in an episode showing the anatomical drawings of Leonardo Da Vinci, who played in the development of anatomy is not less important than any book on medicine. Then, pictures of horses that have been made so carefully that a few centuries before Darwin was led to the idea of ??evolutionary development. Etc.
Andrew looks at artists who have chosen the natural world as their subject matter and explores how drawing has helped man to understand his place in the universe. The programme covers the Rennaissance, the Eastern way, Turner, Constable and contemporary artists Anthony Gormley and Richard Long.
Episode 2: Storylines (Drawing in the stories)
The episode involves a drawing function as the transfer of the plot. Starting with paintings by artists that are represented more than one subject and not even one time, but the whole story, and ending with comic books and storyboards in a Hollywood production. One of those – a unique opportunity to transfer the content of the picture. As an example – a comic about the Holocaust. At first glance – this topic is impossible to imagine in this genre. But the author replaces figures Nazis cats, and the figures of prisoners – mice. The content finds a new, unusual shape, keeping the drama “Schindler’s List” and komiksovoy style “Tom and Jerry.”
Drawing has always been an essential tool for the telling of stories. Andrew looks at the satire of Gillray, Goya and Hogarth and its influence on photojournalism, American comics, Japanese Manga and Hollywood storyboards today.
Episode 3: All in the Mind (Drawing in our minds)
The episode is devoted to the question: “Why do we draw in this way (as we draw)?”. The opinion of teachers of drawing, the opinion of scientists, physiologists, that scan mogz and eye movement during drawing. It was long thought that the history of all civilization is not more than six thousand years (from written sources). Ancient as hunters – were primitive creatures, led by instinct. But the vaults of the cave of Altamira paintings were found, which are more than 15 thousand years with excellent quality. Then shown pictures of 5-year-old girl, which is also seen a similar style paintings of animals. Children’s drawings from the episode goes to the drawings by Picasso. And in those and other shows have much in common. In the words of Picasso – when he was 5 years old, he wanted to learn to draw like Raphael. But then he had spent his entire life to learn to paint again, as it turned out to 5 years.
Andrew investigates drawing as a primal human instinct and a learned discipline, looking at the earliest cave drawings and the work of David Hockney and Picasso. The programme uses the latest developments in cognitive science to examine why we draw the way we do.
Episode 4: Drawing by Design (Drawing in Design)
The final episode – to draw in design – when the drawing is transformed into things. It starts with a story about a man who created a design show Sirque du Soleil – “Ka”. He created the stage for the Stones, The Wall for kicks, and many other top rock bands. Then comes the story of the painting in the history of architecture and in the end – 3D and fashion.
Andrew explores the role drawing has played in technical design and architecture, studying complex structures such as the Guggenheim and Boeing 777. From Leonardo to Libeskind, he shows how drawing has been a crucial tool in the history of scientific and technological discovery.
Download:
FILESONIC.COM
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EBooks Film And VFX Collection'
EBooks Film And VFX Collection
English | PDF | 1.17 GB
==
Description:
Everythingyou need to know about the film industry. These eBooks containsinformation about the preproduction, production and post productionstages of film (including VFX). There is also tons of information on howto make money from your creations.
List of books included:
$30 Film School
24P -Make Your Digital Movies Look Like Hollywood
50 Ways To be a better designer
A Crash Course in Screenwriting
A Practical Guide to Video and Audio Compression
A Short History of Film
Acting For Film
Action! Acting Lessons for CG Animators
Agitator - The Cinema of Takashi Miike
Better Location Shooting Techniques for Video Production
Cinema A Visual Anthropology
Creating Motion Graphics with After Effects Vol.1 The Essentials
Cutting Edge. Art-Horror and the Horrific Avant-garde
Dialogue Editing for Motion Pictures
Digital Cinematography & Directing
Digital Filmmaking for Teens
Digital Video Concepts
DIRECTING Film Techniques and Aesthetics 3
DIRECTING Film Techniques and Aesthetics 4
Directing the Story Professional Storytelling and Storyboarding Techniques for Live Action and Animation
Directing the Story
Direct the Documentary
Documentary Film - A Very Short Introduction
Documentary in the Digital Age
Documentry Storytelling
Easy Riders Raging Bulls
Encyclopedia of Stanley Kubrick
Exploitation Film Posters - Taschen
FILM ART An Introduction
Film History An Introduction
Film Structure and the Emotion System
Film Theory and Contemporary Hollywood Movies
Film, Folklore, Urban Legends
finalcut_5_shortcuts
Fine Cuts - The Art of European Film Editing (2006)
Horror
How to Make Your Own Video or Short Film
Ideas for animation shorts
Introduction to Japanese horror film
Lighting for Digital Video & Television - Second Edition
Microstock Photography - How to Make Money
On Film 2nd edition
Power Filmmaking Kit
See Your Film Before Shooting
Shoot Me - Independent Filmmaking From Creative Concept to Rousing Release
Shooting To Kill
Special Makeup Effects for Stage and Screen
StartYourCareerFreelancePhotogrpher
Storyboarding - The Simpsons Way
Storyboards - Motion in Art
Taking Stock_Make money in microstock creating photos that sell
TechTVs Guide to Creating Digital Video Like a Pro by Deras Flynn
The Art and Business of Directing Commercials
The Art Direction Handbook for Film
The Art of Layout and Storyboarding
The Camera Assistants Manual 5th Ed
The Filmmakers Guide to Production Design
The Five Cs of Cinematography
The Five Cs of Cinematography - Motion Picture Filming Techniques
The Photographers Guide to Making Money
The Visual Effects Arsenal
Theatrical Translation and Film Adaptation
Thrillers
TV Commercials _ How to Make Them
Uncanny Bodies. The Coming of Sound Film and the Origins of the Horror Genre
Visual Effects for Film and Television
What Just Happened
Everythingyou need to know about the film industry. These eBooks containsinformation about the preproduction, production and post productionstages of film (including VFX). There is also tons of information on howto make money from your creations.
List of books included:
$30 Film School
24P -Make Your Digital Movies Look Like Hollywood
50 Ways To be a better designer
A Crash Course in Screenwriting
A Practical Guide to Video and Audio Compression
A Short History of Film
Acting For Film
Action! Acting Lessons for CG Animators
Agitator - The Cinema of Takashi Miike
Better Location Shooting Techniques for Video Production
Cinema A Visual Anthropology
Creating Motion Graphics with After Effects Vol.1 The Essentials
Cutting Edge. Art-Horror and the Horrific Avant-garde
Dialogue Editing for Motion Pictures
Digital Cinematography & Directing
Digital Filmmaking for Teens
Digital Video Concepts
DIRECTING Film Techniques and Aesthetics 3
DIRECTING Film Techniques and Aesthetics 4
Directing the Story Professional Storytelling and Storyboarding Techniques for Live Action and Animation
Directing the Story
Direct the Documentary
Documentary Film - A Very Short Introduction
Documentary in the Digital Age
Documentry Storytelling
Easy Riders Raging Bulls
Encyclopedia of Stanley Kubrick
Exploitation Film Posters - Taschen
FILM ART An Introduction
Film History An Introduction
Film Structure and the Emotion System
Film Theory and Contemporary Hollywood Movies
Film, Folklore, Urban Legends
finalcut_5_shortcuts
Fine Cuts - The Art of European Film Editing (2006)
Horror
How to Make Your Own Video or Short Film
Ideas for animation shorts
Introduction to Japanese horror film
Lighting for Digital Video & Television - Second Edition
Microstock Photography - How to Make Money
On Film 2nd edition
Power Filmmaking Kit
See Your Film Before Shooting
Shoot Me - Independent Filmmaking From Creative Concept to Rousing Release
Shooting To Kill
Special Makeup Effects for Stage and Screen
StartYourCareerFreelancePhotogrpher
Storyboarding - The Simpsons Way
Storyboards - Motion in Art
Taking Stock_Make money in microstock creating photos that sell
TechTVs Guide to Creating Digital Video Like a Pro by Deras Flynn
The Art and Business of Directing Commercials
The Art Direction Handbook for Film
The Art of Layout and Storyboarding
The Camera Assistants Manual 5th Ed
The Filmmakers Guide to Production Design
The Five Cs of Cinematography
The Five Cs of Cinematography - Motion Picture Filming Techniques
The Photographers Guide to Making Money
The Visual Effects Arsenal
Theatrical Translation and Film Adaptation
Thrillers
TV Commercials _ How to Make Them
Uncanny Bodies. The Coming of Sound Film and the Origins of the Horror Genre
Visual Effects for Film and Television
What Just Happened
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Cyber Film School CD-Rom
Cyber Film School CD-Rom
eLearning | 523 MB
The award-winning interactive educational tool adopted by universities and schools across the world.
# Learn screenwriting fundamentals
# Learn how to plan, budget and produce a film
# Learn what a director does and how to work with actors
# Study the history of cinema in a condensed and concise format
# Acquaint yourself with world and foreign cinema and learn all about the greatest and best International filmmakers
# Discover the most important shooting and lighting techniques and theories
# Learn the craft of post production by using software that turns your computer into an editing suite. Use our supplied professionally-produced video clips to experiment with editing
# Practice with your own camcorder using the numerous assignments and exercises provided
# Track your progress with special lesson and chapter tests
# Discuss ideas and lessons with other Cyber Film School students
# Obtain lists of hundreds of recommended production books and movies (DVD, VHS) to read, view and study. Books and movies can be purchased online and delivered to your door!
Industry Contributors:
RON BASS
Screenwriter of Snow Falling on Cedars, My Best Friend's Wedding, Rain Man.
LAWRENCE BENDER
Producer of Good Will Hunting, Pulp Fiction, Reservoir Dogs.
ANNE V. COATES
Editor of Erin Brockovich, Lawrence of Arabia.
MARK IRWIN, ASC
Director of Photography of Something About Mary, Scream.
NORMAN JEWISON
Director of The Hurricane, Moonstruck, In the Heat of The Night.
# Learn screenwriting fundamentals
# Learn how to plan, budget and produce a film
# Learn what a director does and how to work with actors
# Study the history of cinema in a condensed and concise format
# Acquaint yourself with world and foreign cinema and learn all about the greatest and best International filmmakers
# Discover the most important shooting and lighting techniques and theories
# Learn the craft of post production by using software that turns your computer into an editing suite. Use our supplied professionally-produced video clips to experiment with editing
# Practice with your own camcorder using the numerous assignments and exercises provided
# Track your progress with special lesson and chapter tests
# Discuss ideas and lessons with other Cyber Film School students
# Obtain lists of hundreds of recommended production books and movies (DVD, VHS) to read, view and study. Books and movies can be purchased online and delivered to your door!
Industry Contributors:
RON BASS
Screenwriter of Snow Falling on Cedars, My Best Friend's Wedding, Rain Man.
LAWRENCE BENDER
Producer of Good Will Hunting, Pulp Fiction, Reservoir Dogs.
ANNE V. COATES
Editor of Erin Brockovich, Lawrence of Arabia.
MARK IRWIN, ASC
Director of Photography of Something About Mary, Scream.
NORMAN JEWISON
Director of The Hurricane, Moonstruck, In the Heat of The Night.
ACTION CUT Film School Directing Filmmaking
ACTION CUT Film School Directing Filmmaking
English | 512x384 | XviD | 29.97fps 847kbps | MP3 128kbps | 2.07GB
Genre: eLearning
DVDs include interactive workbook full of invaluable?production tips and information.
Download:
FILESONIC.COM
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Digital Cinema Filmmaking DVD Course 2011
Digital Cinema Filmmaking DVD Course 2011
DVD-Rip (20 DVDs) | MP4 | MPEG4 | H.264 @ 1.5 Mbit/s | 720x480 | AAC Stereo @ 224 Kbit/s 48 KHz | 25 Hours | 13.6 GB
DCT-MP, BP, and LS: 20 DVDs That teach Filmmaking from Writing to Post. All DVDs feature: Motion Menus and Instant-Access Chapter buttons. The most revolutionary training course you will ever own. Over 30 hours of filmmaking savvy, wisdom, examples, demonstrations, tips and tricks, presented on 20 DVDs by people who work in Hollywood day in, day out. Learn Scriptwriting, Formatting, Editing, Camera Operation, Lighting, Exposure, Audio, and Directing, all focused on Digital Movies.
The Command Course Basic
25+ Hours of Learning (Basic)
DCT-MP Movie Production Set (6 DVDs)
DCT-BP Basic Production Set (2 DVDs)
DCT-LS Lighting Production Set (4 DVDs)
DCT-GG Gear Guide (8 DVDs)
DCT-FM1 Field Manual
DCT-PCL Production Checklist
DCT-NP Notepad and Pen
DCT-PCD Pre-Production CD
DCT-MP/COMMAND (12 DVDs) Components:
DCT-MP, BP, and LS: 20 DVDs That teach Filmmaking from Writing to Post. All DVDs feature: Motion Menus and Instant-Access Chapter buttons. The most revolutionary training course you will ever own. Over 30 hours of filmmaking savvy, wisdom, examples, demonstrations, tips and tricks, presented on 20 DVDs by people who work in Hollywood day in, day out. Learn Scriptwriting, Formatting, Editing, Camera Operation, Lighting, Exposure, Audio, and Directing, all focused on Digital Movies. DCT-BP (Basic Production): 10-Point lighting, the jargon and motive behind each light source, as well as balancing them together with Quality, Quantity, Direction, and Color. Composition concepts: Law of Thirds, Screen Mass, Triangular Dominance, Color Harmony, and Planar Separation, as well as the psychological impact of each. Also, Lenses, Depth of Field, Shots, Axes of Motion, Makeup, and Steadicam. DCT-MP (Movie Production): Screenwriting, Directing, Acting. Add foreground detail and make a dolly move really count, block your actors to match their eyelines, compose your shots to set the audience at ease (or not), and light the set with a minimum of fixtures. DCT-LS (Lighting Set): 10 complete sections devoted to Pro lighting. Matching your lighting to fire-light, Christmas lights, uncorrected fluorescents, flashlights, candles, lighting chrome weapons, and groups of actors at a card table scene. When you finish the last DVD of this series, your mind will be overloaded. You will never watch movies the same way again, knowing that the "Natural Sunset" light inside an apartment is actually tungsten light off a gold reflector, and that there is a reason why directors move the actors in specific axes.
The Digital Cinema Course begins by detailed instructions on building a screenplay with proper structure and solid characters. Many screen writing textbooks have also done this, but the course is the first to do it by use of a dramatic short film teaching writers the basics of overcoming obstacles and disasters. This is then furthered by second more concise section outlining how to write in clear instructions. It categorizes specific methods and tools, and inspires writers who may have given up on dramatic storytelling. The following section describes how to physically construct a screenplay, what paper to use, how to bind it, and how to format the content. This is done with the use of computer graphics. Once the storytelling sections are complete, the course moves on to teach film editing. Starting with the history of editing and progressing to current digital nonlinear editing, the section prepares the filmmaker for the field. It abides by the rule that the best cinematographer or director is first a competent editor. After the editing section, the course moves on to discuss filmmaking equipment and gear, from the basic C-stand to the intricate use of color gels and corrective filtration. It prepares filmmakers for the technical aspect of making movies with HMI, tungsten, and fluorescent lighting. After the equipment section, it explores basic production in a controlled studio environment. Lighting, lenses, shots, depth of field, composition, and axes of movement. The course then applies all the concepts learned in the movie production section. By far the longest of the sections, at about 12 hours, it puts all the principles to the test on a real movie set. It carries with it all the variables that can assault filmmakers while trying to make a digital film. After the movie production section has been completed, the course moves on to the advanced lighting section. This is the most detailed of the sections, concentrating for hours on the art of lighting a film set with faith to the script's intention. Whether lighting to mimic candlelight, firelight, or fluorescent warehouse lighting, this section discusses the most difficult situations that a cinematographer may confront. The Digital Cinema Course is also accompanied by a color technical manual for the field, a checklist, and a preparation CD.
DCT-GG Gear Guide (8 DVDs) Components:
DCT-FF: Focuses on Follow Focus Devices with Karl Horn from Cinetech. This DVD is already included in the DCT-MP/COMMAND Course. However if only specialized instruction is needed, the DCT-FF volume teaches Focus Pulling Techniques, Follow Focus Types, Single/Double Wheel, Whips and Extensions, Speed Cranks, Rear-Firing Configs and much more. The more you shoot with your Pro HD or SD Digital Cinema Camera, the more you will rely on the focusing dial to create more dramatic transitions into actors or objects. The more you focus with your camera dial, the more you will feel that your wrist is not in the correct ergonomic position to achieve the best focus pulls. That's where follow focus wheels come in. They reorient the direction of the focus dial to one that more easily fits the movement of the human body. Also, they give you focus stops, so that you don't have to guess where your subject is. Just set up the A and B stops, and go from A to B. No guess work. This comes in very handy in cameras that do not have numerical readouts for focus marks. Another very useful facet of focus pulling devices, is their ability to allow attachment of whips or extensions. This allows you to "pull" focus from behind the camera, more comfortably. It also allows another professional, the "focus puller" to pull focus for you, so that you can just concentrate on panning and tilting the camera with the actor. The DCT-FF DVD will teach you all that, and much more.
DCT-FLUO: Focuses on Fluoresecents with Frieder Hocheim and Tom Jacob from KinoFlo. This DVD is already included in the DCT-MP/COMMAND Course. However if only specialized instruction is needed, the DCT-FLUO volume teaches Fluorescent Fixtures, Large Studio Models, Small Portable Models, Diffusion Techniques, Dimming, DMX Controls, Daylight/Interior Bulbs, Special Effects, 12V Car Models and much more. The more your lighting experience increases, the more likely you will rely on Fluorescent lighting. It is perfectly tungsten or daylight balanced, soft, emits almost no heat, and is dimmable with very little shift in color temperature. However, the subject of fluorescent lighting is very complicated. Which instruments do you use? Which color temperature? Do you match with the window or the other tungsten instruments? How do you perform DMX dimming and networking? How do you safely replace bulbs? What color options are there? How do you safely regulate power output of the DC supplies? All these questions plus many more are answered in the DCT-FLUO DVD.
DCT-GELS: Focuses on Gels and Lighting Modifiers with Joel Svendsen from Rosco Gels. This DVD is already included in the DCT-MP/COMMAND Course. However if only specialized instruction is needed, the DCT-GELS volume teaches Correction Gels, Film vs. Video Intensities, Color Effect Gels, Modifiers for Stage Lights, Daylight Balance Gels, Tungsten Balance Gels and much more. The more your lighting experience increases, the more likely you will rely on color gels for correcting instruments or creating a mood. However, the subject of gels is very complicated. Which type of gel do you use? How much color temperature correction is necessary? Do you match an HMI instrument with the window or the other tungsten instruments? How does gelling an instrument differ from Digital HD to Film? How do you safely use gels? What options are there in color and and mood? Both Straw and Amber gels cause a mathematical warming shift in the color temperature, so why are there two different types? All these questions plus many more are answered in the DCT-GELS DVD.
DCT-GRDR: Focuses on Gear Rental with Steve Tobenkin from Birns & Sawyer in Hollywood. This DVD is already included in the DCT-MP/COMMAND Course. However if only specialized instruction is needed, the DCT-GELS volume teaches Safe Renting Practices, Rental Contracts, Insurance Types, Negotiating Travel Days, 3-Day Weeks, Building Relationships, Trust and Credit, Economies of Scale and much more. As your reputation improves in your filmmaking circle, you will be called upon to shoot bigger and bigger jobs. It would not make sense to own 4 different cameras when you primarily use just one, especially when the other cameras are used only once or twice a year, or cost $120,000. Enter the rental house. You can get a great camera package, lights, grip gear, and stay within budget. The entire rental is tax deductible as an expense, as opposed to amortizing an expensive camera package for 7 years. You don't have to take out a loan for it. Just get a down payment from the production company, rent the gear, use it, then return it. Makes sense, sounds easy. It's not. It is a very complicated process that sometimes takes several disasters to fully respect. You can avert most disasters by carefully viewing the DCT-GR Gear Rental DVD. Mr. Tobenkin teaches you all the ins and outs of safely renting gear, as well as avoiding common horrors of discovering that "mysterious disappearances" are not covered by insurance companies, and can leave you penniless for years. For over an hour, he guides you through every line of a common rental contract, explains every term, and gives you real street-advice every step of the way. Rent safely with the DCT-GR volume, also included in the DCT-MP/COMMAND Course.
DCT-GRIP: Focuses on Grip Gear with Ed Phillips from MSE (Matthews Studio Equipment). This DVD is already included in the DCT-MP/COMMAND Course. However if only specialized instruction is needed, the DCT-GRIP volume teaches C-Stands, Light Stands, Combo Stands, Flags, Black Net, Silks and Diffusers, Cucaloris Modifiers, Cutters, Dots and Fingers and much more. The more your production experience increases, the more likely you will rely on professional grip equipment. Also, your ability to identify and use grip gear on the set will earn the respect of your peers and employers. Pro gear lasts longer, looks more professional, holds weight more securely, and helps you sculpt precision-lit sets with flags and scrim. Which light stands do you use? Which clamps for which lights? How do you safely equip, mount, and weight-balance a C-stand? How do cheaply made roller stands differ from professional ones? What is the difference between a preemie, a HiHi, and a combo stand? What is the difference between a half-apple and a pancake? All these questions plus many more are answered in the DCT-GRIP DVD.
DCT-HDL: Focuses on Heavy Dollies with 35-year Veteran Hollywood Key Grip Chet Spinney. This DVD is already included in the DCT-MP/COMMAND Course. However if only specialized instruction is needed, the DCT-HDL volume teaches Heavy Studio Dollies, Balancing Dolly Track, Proper Dollying Methods, Dolly & Jib Moves, Pro Mic Booms and much more. You can get away with using compact dollies on many occasions, but there are certain situations where you will be required to help set up or operate a heavy dolly. Mr. Spinney will help you understand the principles of balancing a dolly track, pushing techniques, proper movement, and braking. After that, Mr. Steve Schuneman will share his extensive experience operating Pro Mic Booms on multi-million dollar TV shows. He will show you how to operate a pro mic boom, or communicate with your boom operator so that you can have a more productive set experience. As a filmmaker, you should be familiar with the operation and terminology, facets and limitations, of every piece of equipment on the set. This DVD will help get you one step farther, in a generally ignored part of the industry that doesn't get the glitz of body-mounted camera systems, but has been a mainstay of every indie and studio film for 60 years.
DCT-LENS: Focuses on Diopters, Converters, and Filters with Bill Turner from Schneider Optics. This DVD is already included in the DCT-MP/COMMAND Course. However if only specialized instruction is needed, the DCT-LENS volume teaches Diopters, Wide and TeleConverters, Adapters, 4x4 Filters Polarizers, Graduated ND Filters, Color Filters and much more. The more you work with your fixed-lens camera, the more you will want to modify the optics of that lens beyond its capability. You will want a wider wide angle, and a deeper telephoto. The only way of achieving that is with the use of Wide Angle Adapters and Converters, as well as Telephoto Converters. Learn the difference between a converter, an adapter, and a diopter. Learn how to film just one part of the face, like just the lips or the eyes. Learn how to select the correct attachment for your camera, and get the most out of it. Learn how to make a penny fill the frame. Also, learn how to protect your camera from misuse of large converters. After that, jump into filters. Learn how to darken a bright sky to get it within the dynamic range of HDV, but not affect the rest of the scene, how to see through reflections, how to darken the overall scene to allow a wider aperture for shallower depth of field. All these subjects and many more are covered in the DCT-LENS DVD.
DCT-MB: Focuses on Matteboxes & Zoom Controllers with James Lee from 16x9inc. (Chrosziel and Bebob). This DVD is already included in the DCT-MP/COMMAND Course. However if only specialized instruction is needed, the DCT-MB volume teaches Mounting Matteboxes, Using French Flags, Side Flags, Baseplates and Rods, Sunshades, Filter Holders, Camera Design Issues, Zoom Controllers, Electronic Focus and much more. How do they achieve that crisp, contrasty look in films, even when shooting into the sun? Why is it that when you try it, the shot is milky or hazy? The mattebox is the device that solves that problem. It's great shooting into the sun: You get great highlights everywhere, the actors are naturally backlit, the sun isn't in their eyes, and the scene looks more dynamic. But you need protection for the camera lens from haze and the major culprit, flare. Matteboxes allow you to control flare like never before. They also allow you to mount 4x4 and sometimes 4x5.65 filters demonstrated in the DCT-LENS DVD. They also shade your wide angle lens adapters which may or may not come with their own lens hoods. After that, learn all about the essential zoom controller. Even if you never zoom in the shot (as any pro filmmaker would) you need a zoom controller to easily change the focal length of your lens without moving your hand away from the pan handle. If you need to zoom for say, an industrial or how-to video, or for effect, the zoom controller is indispensable for providing a smooth focal length change without unnecessary jitter on the camera body. Learn all about electronic zoom and focus controllers in the DCT-MB DVD.
DCT-ONCM: Focuses on Pedestals, Jibs, and Camera Lights with David Butler from Ste-Man (Cartoni and PAG). This DVD is already included in the DCT-MP/COMMAND Course. However if only specialized instruction is needed, the DCT-ONCM volume teaches Studio Pedestals, Compact Jibs, On-Camera Lights, Dichroic Filters, Diffusing Eye-Lights, 3-Wheel Dollies, Battery Chemistry, Underwater Bags and much more. You already have a dolly that will get you closer to your subject in a more dynamic smooth manner. But what happens when you need to rise up with the actor as he gets out of a chair or a car, or goes up the stairs? To maintain a smooth movement akin to a dolly, but in a vertical direction, you need a jib. Enter the DCT-ONCM DVD. Learn how to use jibs, their axes of motion, and techniques. This DVD goes much further, and explains the usage of on-camera lights. You are in a situation where the interior illumination is too low for your camera to see the subject, and it is beyond your control to raise the ambient light level or bring in a studio light. You need the battery operated camera light. Learn how to use them and all the accessories, as well as the battery systems and chemistries that match them. You are opening a new studio, and you don't want to simply use a tripod on wheels. You want the ease of use and heavy weight of a studio pedestal with a vertical pneumatic lift. Learn how to use them, bleed excess pressure, maneuver and operate them. You have a shot that requires a camera to be inserted underwater, or in a situation where it may be splashed by waves from below. You need an underwater bag, and this DVD shows you how to use the most trusted and popular types. You want a body-mounted camera support that offers you full range of motion, but you don't need a full steadicam or can't afford one. This DVD shows you how to mount and operate the popular PAG Orbitor body mounted system.
DCT-PODS: Focuses on Tripods, Bags, and Reflectors with Mark Bender from Bogen Imaging. This DVD is already included in the DCT-MP/COMMAND Course. However if only specialized instruction is needed, the DCT-PODS volume teaches Light Duty Tripods, Medium Duty Tripods, Heavy Capacity Tripods, Camera Bags, Reflectors and much more. The more you use your pro camera, the more you find that it deserves a better ride than a Sears tool bag. Enter pro camera bags, specifically designed to safely and lightly carry cameras and accessories. Learn to pick the right type, and how to make it work for the projects you are involved in. Also, learn how to setup and operate light and heavy tripods, the difference between friction and fluid heads, and what capacity is required of a tripod to do the job. An added bonus is a section on reflector types, what uses they have, and how to get the most out of them.
DCT-TGHM: Focuses on Tungsten and H.M.I Fresnels, with John Gresch from Arri Lighting. This DVD is already included in the DCT-MP/COMMAND Course. However if only specialized instruction is needed, the DCT-TGHM volume teaches Tungsten Fresnels, HMI Fresnels, Changing Lenses, Changing Bulbs, Attaching Softboxes, Using Snoots, Safety, Spotting/Flooding and much more. Just as important as selecting the correct camera and mic, is selecting the proper light kit. The more experienced you become, the less you'll be willing to settle for "natural" overhead fluorescent lights, with blown out highlights, a green cast, and deep shadows under the actors' eyes. You will want to sculpt your frame, light the actors properly and dramatically, and throw shadows on parts of the background that you don't like. You will need a professional fresnel light kit, and this DVD will show you how to use it. It will go into great detail, from the moment you take the lights out of the box, to tearing down the softbox attachment and packing the kit away. The DCT-TGHM is the right DVD for those filmmakers wanting to get more out of their light kits. The information contained is mostly general, and applies to many other lighting systems.
Extras and Accessories
DCT-FM1 Field Manual
DCT-PCL Production Checklist
DCT-NP Notepad and Pen
DCT-PCD Pre-Production CD
The Command Course Basic
25+ Hours of Learning (Basic)
DCT-MP Movie Production Set (6 DVDs)
DCT-BP Basic Production Set (2 DVDs)
DCT-LS Lighting Production Set (4 DVDs)
DCT-GG Gear Guide (8 DVDs)
DCT-FM1 Field Manual
DCT-PCL Production Checklist
DCT-NP Notepad and Pen
DCT-PCD Pre-Production CD
DCT-MP/COMMAND (12 DVDs) Components:
DCT-MP, BP, and LS: 20 DVDs That teach Filmmaking from Writing to Post. All DVDs feature: Motion Menus and Instant-Access Chapter buttons. The most revolutionary training course you will ever own. Over 30 hours of filmmaking savvy, wisdom, examples, demonstrations, tips and tricks, presented on 20 DVDs by people who work in Hollywood day in, day out. Learn Scriptwriting, Formatting, Editing, Camera Operation, Lighting, Exposure, Audio, and Directing, all focused on Digital Movies. DCT-BP (Basic Production): 10-Point lighting, the jargon and motive behind each light source, as well as balancing them together with Quality, Quantity, Direction, and Color. Composition concepts: Law of Thirds, Screen Mass, Triangular Dominance, Color Harmony, and Planar Separation, as well as the psychological impact of each. Also, Lenses, Depth of Field, Shots, Axes of Motion, Makeup, and Steadicam. DCT-MP (Movie Production): Screenwriting, Directing, Acting. Add foreground detail and make a dolly move really count, block your actors to match their eyelines, compose your shots to set the audience at ease (or not), and light the set with a minimum of fixtures. DCT-LS (Lighting Set): 10 complete sections devoted to Pro lighting. Matching your lighting to fire-light, Christmas lights, uncorrected fluorescents, flashlights, candles, lighting chrome weapons, and groups of actors at a card table scene. When you finish the last DVD of this series, your mind will be overloaded. You will never watch movies the same way again, knowing that the "Natural Sunset" light inside an apartment is actually tungsten light off a gold reflector, and that there is a reason why directors move the actors in specific axes.
The Digital Cinema Course begins by detailed instructions on building a screenplay with proper structure and solid characters. Many screen writing textbooks have also done this, but the course is the first to do it by use of a dramatic short film teaching writers the basics of overcoming obstacles and disasters. This is then furthered by second more concise section outlining how to write in clear instructions. It categorizes specific methods and tools, and inspires writers who may have given up on dramatic storytelling. The following section describes how to physically construct a screenplay, what paper to use, how to bind it, and how to format the content. This is done with the use of computer graphics. Once the storytelling sections are complete, the course moves on to teach film editing. Starting with the history of editing and progressing to current digital nonlinear editing, the section prepares the filmmaker for the field. It abides by the rule that the best cinematographer or director is first a competent editor. After the editing section, the course moves on to discuss filmmaking equipment and gear, from the basic C-stand to the intricate use of color gels and corrective filtration. It prepares filmmakers for the technical aspect of making movies with HMI, tungsten, and fluorescent lighting. After the equipment section, it explores basic production in a controlled studio environment. Lighting, lenses, shots, depth of field, composition, and axes of movement. The course then applies all the concepts learned in the movie production section. By far the longest of the sections, at about 12 hours, it puts all the principles to the test on a real movie set. It carries with it all the variables that can assault filmmakers while trying to make a digital film. After the movie production section has been completed, the course moves on to the advanced lighting section. This is the most detailed of the sections, concentrating for hours on the art of lighting a film set with faith to the script's intention. Whether lighting to mimic candlelight, firelight, or fluorescent warehouse lighting, this section discusses the most difficult situations that a cinematographer may confront. The Digital Cinema Course is also accompanied by a color technical manual for the field, a checklist, and a preparation CD.
DCT-GG Gear Guide (8 DVDs) Components:
DCT-FF: Focuses on Follow Focus Devices with Karl Horn from Cinetech. This DVD is already included in the DCT-MP/COMMAND Course. However if only specialized instruction is needed, the DCT-FF volume teaches Focus Pulling Techniques, Follow Focus Types, Single/Double Wheel, Whips and Extensions, Speed Cranks, Rear-Firing Configs and much more. The more you shoot with your Pro HD or SD Digital Cinema Camera, the more you will rely on the focusing dial to create more dramatic transitions into actors or objects. The more you focus with your camera dial, the more you will feel that your wrist is not in the correct ergonomic position to achieve the best focus pulls. That's where follow focus wheels come in. They reorient the direction of the focus dial to one that more easily fits the movement of the human body. Also, they give you focus stops, so that you don't have to guess where your subject is. Just set up the A and B stops, and go from A to B. No guess work. This comes in very handy in cameras that do not have numerical readouts for focus marks. Another very useful facet of focus pulling devices, is their ability to allow attachment of whips or extensions. This allows you to "pull" focus from behind the camera, more comfortably. It also allows another professional, the "focus puller" to pull focus for you, so that you can just concentrate on panning and tilting the camera with the actor. The DCT-FF DVD will teach you all that, and much more.
DCT-FLUO: Focuses on Fluoresecents with Frieder Hocheim and Tom Jacob from KinoFlo. This DVD is already included in the DCT-MP/COMMAND Course. However if only specialized instruction is needed, the DCT-FLUO volume teaches Fluorescent Fixtures, Large Studio Models, Small Portable Models, Diffusion Techniques, Dimming, DMX Controls, Daylight/Interior Bulbs, Special Effects, 12V Car Models and much more. The more your lighting experience increases, the more likely you will rely on Fluorescent lighting. It is perfectly tungsten or daylight balanced, soft, emits almost no heat, and is dimmable with very little shift in color temperature. However, the subject of fluorescent lighting is very complicated. Which instruments do you use? Which color temperature? Do you match with the window or the other tungsten instruments? How do you perform DMX dimming and networking? How do you safely replace bulbs? What color options are there? How do you safely regulate power output of the DC supplies? All these questions plus many more are answered in the DCT-FLUO DVD.
DCT-GELS: Focuses on Gels and Lighting Modifiers with Joel Svendsen from Rosco Gels. This DVD is already included in the DCT-MP/COMMAND Course. However if only specialized instruction is needed, the DCT-GELS volume teaches Correction Gels, Film vs. Video Intensities, Color Effect Gels, Modifiers for Stage Lights, Daylight Balance Gels, Tungsten Balance Gels and much more. The more your lighting experience increases, the more likely you will rely on color gels for correcting instruments or creating a mood. However, the subject of gels is very complicated. Which type of gel do you use? How much color temperature correction is necessary? Do you match an HMI instrument with the window or the other tungsten instruments? How does gelling an instrument differ from Digital HD to Film? How do you safely use gels? What options are there in color and and mood? Both Straw and Amber gels cause a mathematical warming shift in the color temperature, so why are there two different types? All these questions plus many more are answered in the DCT-GELS DVD.
DCT-GRDR: Focuses on Gear Rental with Steve Tobenkin from Birns & Sawyer in Hollywood. This DVD is already included in the DCT-MP/COMMAND Course. However if only specialized instruction is needed, the DCT-GELS volume teaches Safe Renting Practices, Rental Contracts, Insurance Types, Negotiating Travel Days, 3-Day Weeks, Building Relationships, Trust and Credit, Economies of Scale and much more. As your reputation improves in your filmmaking circle, you will be called upon to shoot bigger and bigger jobs. It would not make sense to own 4 different cameras when you primarily use just one, especially when the other cameras are used only once or twice a year, or cost $120,000. Enter the rental house. You can get a great camera package, lights, grip gear, and stay within budget. The entire rental is tax deductible as an expense, as opposed to amortizing an expensive camera package for 7 years. You don't have to take out a loan for it. Just get a down payment from the production company, rent the gear, use it, then return it. Makes sense, sounds easy. It's not. It is a very complicated process that sometimes takes several disasters to fully respect. You can avert most disasters by carefully viewing the DCT-GR Gear Rental DVD. Mr. Tobenkin teaches you all the ins and outs of safely renting gear, as well as avoiding common horrors of discovering that "mysterious disappearances" are not covered by insurance companies, and can leave you penniless for years. For over an hour, he guides you through every line of a common rental contract, explains every term, and gives you real street-advice every step of the way. Rent safely with the DCT-GR volume, also included in the DCT-MP/COMMAND Course.
DCT-GRIP: Focuses on Grip Gear with Ed Phillips from MSE (Matthews Studio Equipment). This DVD is already included in the DCT-MP/COMMAND Course. However if only specialized instruction is needed, the DCT-GRIP volume teaches C-Stands, Light Stands, Combo Stands, Flags, Black Net, Silks and Diffusers, Cucaloris Modifiers, Cutters, Dots and Fingers and much more. The more your production experience increases, the more likely you will rely on professional grip equipment. Also, your ability to identify and use grip gear on the set will earn the respect of your peers and employers. Pro gear lasts longer, looks more professional, holds weight more securely, and helps you sculpt precision-lit sets with flags and scrim. Which light stands do you use? Which clamps for which lights? How do you safely equip, mount, and weight-balance a C-stand? How do cheaply made roller stands differ from professional ones? What is the difference between a preemie, a HiHi, and a combo stand? What is the difference between a half-apple and a pancake? All these questions plus many more are answered in the DCT-GRIP DVD.
DCT-HDL: Focuses on Heavy Dollies with 35-year Veteran Hollywood Key Grip Chet Spinney. This DVD is already included in the DCT-MP/COMMAND Course. However if only specialized instruction is needed, the DCT-HDL volume teaches Heavy Studio Dollies, Balancing Dolly Track, Proper Dollying Methods, Dolly & Jib Moves, Pro Mic Booms and much more. You can get away with using compact dollies on many occasions, but there are certain situations where you will be required to help set up or operate a heavy dolly. Mr. Spinney will help you understand the principles of balancing a dolly track, pushing techniques, proper movement, and braking. After that, Mr. Steve Schuneman will share his extensive experience operating Pro Mic Booms on multi-million dollar TV shows. He will show you how to operate a pro mic boom, or communicate with your boom operator so that you can have a more productive set experience. As a filmmaker, you should be familiar with the operation and terminology, facets and limitations, of every piece of equipment on the set. This DVD will help get you one step farther, in a generally ignored part of the industry that doesn't get the glitz of body-mounted camera systems, but has been a mainstay of every indie and studio film for 60 years.
DCT-LENS: Focuses on Diopters, Converters, and Filters with Bill Turner from Schneider Optics. This DVD is already included in the DCT-MP/COMMAND Course. However if only specialized instruction is needed, the DCT-LENS volume teaches Diopters, Wide and TeleConverters, Adapters, 4x4 Filters Polarizers, Graduated ND Filters, Color Filters and much more. The more you work with your fixed-lens camera, the more you will want to modify the optics of that lens beyond its capability. You will want a wider wide angle, and a deeper telephoto. The only way of achieving that is with the use of Wide Angle Adapters and Converters, as well as Telephoto Converters. Learn the difference between a converter, an adapter, and a diopter. Learn how to film just one part of the face, like just the lips or the eyes. Learn how to select the correct attachment for your camera, and get the most out of it. Learn how to make a penny fill the frame. Also, learn how to protect your camera from misuse of large converters. After that, jump into filters. Learn how to darken a bright sky to get it within the dynamic range of HDV, but not affect the rest of the scene, how to see through reflections, how to darken the overall scene to allow a wider aperture for shallower depth of field. All these subjects and many more are covered in the DCT-LENS DVD.
DCT-MB: Focuses on Matteboxes & Zoom Controllers with James Lee from 16x9inc. (Chrosziel and Bebob). This DVD is already included in the DCT-MP/COMMAND Course. However if only specialized instruction is needed, the DCT-MB volume teaches Mounting Matteboxes, Using French Flags, Side Flags, Baseplates and Rods, Sunshades, Filter Holders, Camera Design Issues, Zoom Controllers, Electronic Focus and much more. How do they achieve that crisp, contrasty look in films, even when shooting into the sun? Why is it that when you try it, the shot is milky or hazy? The mattebox is the device that solves that problem. It's great shooting into the sun: You get great highlights everywhere, the actors are naturally backlit, the sun isn't in their eyes, and the scene looks more dynamic. But you need protection for the camera lens from haze and the major culprit, flare. Matteboxes allow you to control flare like never before. They also allow you to mount 4x4 and sometimes 4x5.65 filters demonstrated in the DCT-LENS DVD. They also shade your wide angle lens adapters which may or may not come with their own lens hoods. After that, learn all about the essential zoom controller. Even if you never zoom in the shot (as any pro filmmaker would) you need a zoom controller to easily change the focal length of your lens without moving your hand away from the pan handle. If you need to zoom for say, an industrial or how-to video, or for effect, the zoom controller is indispensable for providing a smooth focal length change without unnecessary jitter on the camera body. Learn all about electronic zoom and focus controllers in the DCT-MB DVD.
DCT-ONCM: Focuses on Pedestals, Jibs, and Camera Lights with David Butler from Ste-Man (Cartoni and PAG). This DVD is already included in the DCT-MP/COMMAND Course. However if only specialized instruction is needed, the DCT-ONCM volume teaches Studio Pedestals, Compact Jibs, On-Camera Lights, Dichroic Filters, Diffusing Eye-Lights, 3-Wheel Dollies, Battery Chemistry, Underwater Bags and much more. You already have a dolly that will get you closer to your subject in a more dynamic smooth manner. But what happens when you need to rise up with the actor as he gets out of a chair or a car, or goes up the stairs? To maintain a smooth movement akin to a dolly, but in a vertical direction, you need a jib. Enter the DCT-ONCM DVD. Learn how to use jibs, their axes of motion, and techniques. This DVD goes much further, and explains the usage of on-camera lights. You are in a situation where the interior illumination is too low for your camera to see the subject, and it is beyond your control to raise the ambient light level or bring in a studio light. You need the battery operated camera light. Learn how to use them and all the accessories, as well as the battery systems and chemistries that match them. You are opening a new studio, and you don't want to simply use a tripod on wheels. You want the ease of use and heavy weight of a studio pedestal with a vertical pneumatic lift. Learn how to use them, bleed excess pressure, maneuver and operate them. You have a shot that requires a camera to be inserted underwater, or in a situation where it may be splashed by waves from below. You need an underwater bag, and this DVD shows you how to use the most trusted and popular types. You want a body-mounted camera support that offers you full range of motion, but you don't need a full steadicam or can't afford one. This DVD shows you how to mount and operate the popular PAG Orbitor body mounted system.
DCT-PODS: Focuses on Tripods, Bags, and Reflectors with Mark Bender from Bogen Imaging. This DVD is already included in the DCT-MP/COMMAND Course. However if only specialized instruction is needed, the DCT-PODS volume teaches Light Duty Tripods, Medium Duty Tripods, Heavy Capacity Tripods, Camera Bags, Reflectors and much more. The more you use your pro camera, the more you find that it deserves a better ride than a Sears tool bag. Enter pro camera bags, specifically designed to safely and lightly carry cameras and accessories. Learn to pick the right type, and how to make it work for the projects you are involved in. Also, learn how to setup and operate light and heavy tripods, the difference between friction and fluid heads, and what capacity is required of a tripod to do the job. An added bonus is a section on reflector types, what uses they have, and how to get the most out of them.
DCT-TGHM: Focuses on Tungsten and H.M.I Fresnels, with John Gresch from Arri Lighting. This DVD is already included in the DCT-MP/COMMAND Course. However if only specialized instruction is needed, the DCT-TGHM volume teaches Tungsten Fresnels, HMI Fresnels, Changing Lenses, Changing Bulbs, Attaching Softboxes, Using Snoots, Safety, Spotting/Flooding and much more. Just as important as selecting the correct camera and mic, is selecting the proper light kit. The more experienced you become, the less you'll be willing to settle for "natural" overhead fluorescent lights, with blown out highlights, a green cast, and deep shadows under the actors' eyes. You will want to sculpt your frame, light the actors properly and dramatically, and throw shadows on parts of the background that you don't like. You will need a professional fresnel light kit, and this DVD will show you how to use it. It will go into great detail, from the moment you take the lights out of the box, to tearing down the softbox attachment and packing the kit away. The DCT-TGHM is the right DVD for those filmmakers wanting to get more out of their light kits. The information contained is mostly general, and applies to many other lighting systems.
Extras and Accessories
DCT-FM1 Field Manual
DCT-PCL Production Checklist
DCT-NP Notepad and Pen
DCT-PCD Pre-Production CD
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How to Cheat in Adobe Flash CS5 Tutorial
How to Cheat in Adobe Flash CS5 Tutorial
Publisher: Focal Press | 2010 | ISBN: 0240522079 | Pages: 376 | PDF | 1.21 GB
Need to solve problems quickly to develop creative projects to time and to budget? Want to hone your Flash skills so you can concentrate on your animation? Then How to Cheat in Flash is for you! Chris Georgenes shows how to work from the problem to the solution - from the viewpoint of an animator who has been commissioned to create a job and is working to a deadline and to a budget. With his in-depth knowledge of the little-known secrets used by the pros to produce creative, professional animations, Chris is the go-to guru for designers and animators who want to create great animation, applications or motion design with Flash. Fully updated for CS5, How to Cheat in Flash CS5, is a goldmine of artistic inspiration, timesaving practical tips, tricks and step-by-step workthroughs that you'll wonder how you survived without it.
Each techniques is designed as a double-page spread so you can prop the book up behind your keyboard or next to your monitor as a visual reference while working alongside it. Many of these workthroughs are real-world client projects, with the source files supplied for you to open and explore. With these real-life professional projects you'll discover how to: bring objects to life with cool motion effects, make it rain, snow or set your world ablaze, develop flash mobile applications and many more tips and tricks not found anywhere else!
* Work over the shoulder of Chris Georgenes, renowned Flash expert, and apply the practical techniques, tips and tricks to your own projects with downloadable Flash source files, examples and tutorials, available at www.howtocheatinflash.com.
* Bestselling How to Cheat coverage of Flash CS5 - proven format for successful learning * Learn a myriad of tips and tricks based on real-life working methods to help you work faster and more efficiently and to budget! * Work from the problem to the solution, to gain the best possible results from Flash CS5!
Exercise files are for Win & MAC.
Each techniques is designed as a double-page spread so you can prop the book up behind your keyboard or next to your monitor as a visual reference while working alongside it. Many of these workthroughs are real-world client projects, with the source files supplied for you to open and explore. With these real-life professional projects you'll discover how to: bring objects to life with cool motion effects, make it rain, snow or set your world ablaze, develop flash mobile applications and many more tips and tricks not found anywhere else!
* Work over the shoulder of Chris Georgenes, renowned Flash expert, and apply the practical techniques, tips and tricks to your own projects with downloadable Flash source files, examples and tutorials, available at www.howtocheatinflash.com.
* Bestselling How to Cheat coverage of Flash CS5 - proven format for successful learning * Learn a myriad of tips and tricks based on real-life working methods to help you work faster and more efficiently and to budget! * Work from the problem to the solution, to gain the best possible results from Flash CS5!
Exercise files are for Win & MAC.
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3DTotal.com Ltd. - Custom Brushes - V1
3DTotal.com Ltd. - Custom Brushes - V1 | PDF | 77 pages | 73Mb
Hhe Custom Brushes eBook is a 77-page tutorial about how to create your very own set of
custom brushes. We have asked industry professionals from the likes of Carlos Cabrera,
Kim Taylor, Melanie Delon, Marc Brunet, Mike Corriero, Richard Tilbury, Brian Recktenwald,
Mike Lim (aka Daarken), George Patsouras, Larla Ortiz ad Ignacio Bazan Lazcano to
create these easy-to-follow guides. As well as giving expert tuition, some of the artists
have also supplied their brushes and these can bedownloaded at the beginning and end
of the tutorials, where available. This tutorial eBook is aimed at artists that are unfamiliar
with creating custom brushes.
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